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The person in those drawings could’ve just walked out of that bed and that also relates to Bacon as well.
When I’m installing the bed it’s kind of really sad and very depressing because I’m actually going into a time capsule of my past.
Tracey Emin was born in London in 1963 and studied at Maidstone College of Art and the Royal College of Art, London.
She has exhibited extensively internationally, including solo and group exhibitions in Holland, Germany, Japan, Australia and America.
I chose Francis Bacon because his life was kind of pretty chaotic and he just did whatever he wanted to do, drank whatever he wanted to drink, slept with whoever he wanted to sleep with; he was a maverick within society.
The paintings that I’ve chosen like these big, undulating roles of flesh and these things turning and these folds and everything, and it’s much the same as the bed; the bed is folding, the bed is turning, the bed is moving.
It was displayed alongside paintings by Francis Bacon and Emin’s more recent drawings, creating a more immersive environment in which to experience the piece up close.
In this interview, Tracey Emin talks about the dark emotional place the work emerged from and the media’s controversial reaction to the piece in 1999.
Emin went on to received her MA from the Royal College of Art in London, where she is now a Royal Academician and Honorary Doctorate.
Most recently, Emin’s work has been shown in solo exhibitions: The Memory of Your Touch, Xavier Hufkens, Brussels (2017), Surrounded by You, Château La Coste, Aix-En-Provence, France (2017), I cried because I love you, Lehmann Maupin and White Cube, Hong Kong (2016), Angel without You, Miami Mo CA, Miami (2013) and a major survey exhibition Love Is What You Want, Hayward Gallery, London (2011).
Tracey Emin, My Bed / JMW Turner, Turner Contemporary, Margate (2017), In Focus: Tracey Emin and William Blake, Tate Liverpool, Liverpool (2016), Tracey Emin and Francis Bacon, Tate Britain, London (2015), Where I Want to Go, with Egon Schiele, The Leopold Museum, Vienna (2015) and was elected to the Royal Academy in the same year. Performa’s extensive content archives depends on you!
In 1998 I had a complete, absolute breakdown, and I spent four days in bed; I was asleep and semi-unconscious.
When I eventually did get out of bed, I had some water, went back, looked at the bedroom and couldn’t believe what I could see; this absolute mess and decay of my life, and then I saw the bed out of that context of this tiny, tiny, bedroom, and I saw it in just like a big, white space.
where he lived in a gallery with a wild coyote for seven days as a symbolic act of reconciliation with nature.